When did exhibitions begin to play a decisive role in your path?
The first years in Paris were also the years of my first group exhibitions. I took part in the Salons, including Grands et Jeunes d’aujourd’hui and the Salon d’Automne in Paris. The first forms of recognition arrived, especially from fellow artists.
In 1985, I exhibited at the Villa Médicis Museum in Saint-Maur. It was the moment when I presented what I had managed to produce over those four years: sculptures and abstract paintings.
That experience, however, did not bring certainty. On the contrary, it began to reveal a sense of distance.
Exhibiting, seeing my creation acknowledged, was no longer enough to clarify what I was seeking. I felt that something, although it worked, did not fully belong to me.
That was when doubt took shape.
Many of the French artists I had met were navigating those same waters. I, instead, felt like a walnut carried by a river: drifting with the current, yet pushed in another direction.
Villa Médicis Museum – La Varenne, France, 1984 / The transition