After these passages, creation leaves the intimate space and encounters the world.
Public works arise from this necessity: bringing form outward, into spaces crossed by everyone. Not as an assertion, but as a presence.
In these interventions, sculpture no longer belongs solely to the one who created it. It must confront a place, a history, and people who did not choose it, but encounter it.
Here, time expands, responsibility grows, and form is called upon to endure.
The works that follow are born from this confrontation: between vision and space, between gesture and community, between matter and memory.